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Teresa
Palomo Acosta
"Desde'l
Corazón de Tejas:
Re-imaging and Re-telling
Chicano Stories"
September
28, 2000
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Rosa
Armendariz
The
work of Teresa Palomo Acosta comes from what she describes
as el corazón
de Tejas? the heart of Texas, Central Texas? where
she was born. Acosta introduced her presentation as more
than just a poetry reading, rather the event would be a
venue to give voice to los meros meros. The meros meros
are the important individuals in her family's history and
the history of the heart of Texas. Her poetry resonates
the experiences of growing up around los meros meros,
the true first authors of the poems. As a poeta Acosta
becomes the storyteller.
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Teresa
Palomo Acosta
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Acosta
began the reading by sharing pictures of her tias and
parents in the 1930s in McGregor, Texas, the old house
she was raised in, the vast cotton ranches, and handiwork
made by her aunts. She evoked images of the women and men
that traveled through Texas picking cotton, trabajando
como burros as her mother described. She told stories
of the plazas where people congregated, of the art of tortilla
making, of the lost art of traditional female handiwork? deshilados and
crotchet work. Interspersing poems with the pictures, Acosta
brought to life the experiences of her ancestors and of
Texas life.
Teresa's
art as a poet comes from wanting to be an advocate. For
Acosta, being an advocate means telling stories about people
that had never been told. You tell their emotions and their anhelos.
She writes as a Chicana empowered by the pueblo, discussing
the abuse of seamstresses in the garment industry as well
as asserting a woman's coming of age and being able to
wear lipstick for herself alone. In this politicized consciousness,
she also writes about Thomas Jefferson, the ghosts of slavery
at Monticello, and the legacy of servitude that the downtrodden
of the U.S. inherit. Acosta's work transcends poetry. She
contributed to the Texas Handbook Project by writing articles
on various aspects of tejano life in the last century,
including Mexican women musicians. She is currently working
on a history of tejanas from 1700-2000 in which
she hopes to show these women as community builders, as
civic participants and as artists.
Acosta's
collection Nile & Other Poems can be obtained from
Resistencia Bookstore in Austin, Texas (revolu@swbell.net).
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